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The present edition attempts to present as accurately as possible the composer's intentions as transmitted in the Florentine MS with the exception of the grouping of the works into multi-movement cycles. Cimarosa's scant markings have been preserved throughout and, on occasion, applied to parallel passages. As in the original, the editor has placed the onus of responsibility for interpretation back on the performer although he has made occasional tempo suggestions where they are missing from the source. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.